Tilt Shift test run

Wednesday, November 17, 2010



:) chloe
 
♥Chloé 4:25 PM, 0 comments

Assignment 1 - Fin.

Line

Canon EOS 50D, 35mm focal length, 1/2500s @ f/4.5, ISO 100

Shape

Canon EOS 50D, 35mm focal length, 1/80s @ f/4.5, ISO 100

Form

Canon EOS 550D, 38mm focal length, 1/640s @ f/5.6, ISO 400

Texture

Canon EOS 50D, 50mm focal length, 1/5000s @ f/5.6, ISO 400

Colour

Canon EOS 550D, 50mm focal length, 1/8s @ f/5.6, ISO 400
 
♥Chloé 1:49 PM, 0 comments

Assignment 2 - Fin.

Shallow Depth-of-Field (foreground)

Canon EOS 50D, 60mm focal length, 1/25s @ f/5.0, ISO 500

Shallow Depth-of-Field (background)

Canon EOS 50D, 24mm focal length, 1/10s @ f/4.0, ISO 800

Deep Depth-of-Field

Canon EOS 550D, 53mm focal length, 1/50s @ f/18.0, ISO 400

Freeze Action

Canon EOS 550D, 18mm focal length, 1/640s @ f/3.5, ISO 1600

Motion Blur

Canon EOS 50D, 24mm focal length, 1.0s @ f/5.6, ISO 100

Panning

Canon EOS 50D, 18mm focal length, 1/30s @ f/16.0, ISO 100
 
♥Chloé 1:25 PM, 0 comments

Assignment 3 - Fin.

Perspective

Canon EOS 550D, 18mm focal length, 1/800s @ f/5.6, ISO 400


Close Up

Canon EOS 550D, 75mm focal length, 0.3s @ f/5.6, ISO 800


Zoom Shot

Canon EOS 550D, 18-200mm focal length, 2.5s @ f/5.6, ISO 200


Metaphor of a SMILE

Canon EOS 550D, 90mm focal length, 1/6s @ f/5.6, ISO 900

In our daily havoc lives, it is the little thoughts and simple gestures that touches us and makes one smile.

 
♥Chloé 1:17 PM, 0 comments

Assignment 4 - Fin.

High Key

Canon EOS 550D, 60mm focal length, 1/3s @ f/8.0, ISO 200

Low Key

Canon EOS 550D, 200mm focal length, 1/3s @ f/5.6, ISO 200

 
♥Chloé 1:08 PM, 0 comments

Assignment 5 - Fin.

A room, A laptop, An itouch, Alone.

Extra info: 365days = 1 year, 10.89m2 = size of my room, 40075.16km = circumference of earth

Did technologies made the world seem smaller, bringing people closer together, or the other way around?


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♥Chloé 12:21 PM, 0 comments

Assignment 6 - Fin.

The Moment

Canon EOS 550D, 160mm focal length, 1/60s @ f/5.6, ISO 100

I was taking photographs in Clarke Quay when I spotted this little girl staring at me all curious at what I’m doing; her eyes looking directly at the camera (viewer) seems to transcend endless beautiful tales, bringing on memories of ourselves as a child.
 
♥Chloé 10:10 AM, 0 comments

Assignment 7/Final Project - Conceptual Photography - Fin.

Introduction

We are in control. Are we really?

We humans see ourselves as the greatest, smartest, and dominant organism on earth. We monopolize our planet with our buildings, our vehicles, and our machines. We have the ability to think, act and control our mind and body to do what we will. But is that really true? What if we were actually being controlled by another being? What if our thoughts and actions we thought to be initiated from ourselves were scripted and programmed? What if we were just part of a bigger world, a game’s avatar, a chess piece, or a puppet of the other being?

Background: Canon EOS 550D, 19mm focal length, 0.3s @ f/4.0, ISO 400

Miniature (McDonalds): Canon EOS 550D, 41mm focal length, 1/640s @ f/5.6, ISO 400

Miniature (Subway): Canon EOS 550D, 69mm focal length, 1/80s @ f/5.6, ISO 400

*ps. Sorry the printing in portfolio for this picture is a bit off as well, It cropped away the right side of the picture. All of the pictures are supposed to be the same size.

Background: Canon EOS 550D, 18mm focal length, 1/6s @ f/3.5, ISO 400

Miniature: Canon EOS 550D, 41mm focal length, 1/100s @ f/5.0, ISO 400

Background: Canon EOS 550D, 19mm focal length, 1/80s @ f/3.5, ISO 400

Miniature: Canon EOS 550D, 18mm focal length, 1/400s @ f/5.6, ISO 400

Background: Canon EOS 550D, 87mm focal length, 0.3s @ f/5.6, ISO 400

Miniature: Canon EOS 550D, 26mm focal length, 1/30s @ f/5.6, ISO 400

Background: Canon EOS 550D, 18mm focal length, 1/40s @ f/3.5, ISO 400

Miniature: Canon EOS 550D, 29mm focal length, 1/100s @ f/5.6, ISO 400

Reference artist/Photographer

This series of photographs was inspired by the Aero Director/ VFX artist Sam O’Hare’s short film, The Sandpit. This winning film of Prix Ars Electronica Award of Distinction 2010 made use of a time-lapse, tilt shift photography to create a stop motion video. While watching the awe-inspiring video, I was thinking what if some giant is really looking at us as miniature and probably laughing at our mentality for thinking how smart and great we thought we are. From there, I came out with the idea of creating a series of photographs to represent that idea.



The Sandpit from Sam O'Hare on Vimeo.

Research/Idea Development

On creating miniature effect:

Before starting the project, I YouTubed and Googled on several videos and pictures that uses tilt-shift photography and look at how it is done. Knowing that I couldn’t afford the tilt-shift lens, I’ve read up and watched some videos on how to create the similar effect using photoshop.

Everything else was just random shootings with intention of creating nice tilt-shift miniature effect and choosing what goes and looks best.

On the background/items the miniature was placed at:

Initially I wanted to place the ‘miniature sets’ in toy boxes, so to try it out, I’ve Googled ‘Toy Boxes’ to my pleasant surprise I see wooden boxes to put the toys in (like the one in toy story) instead of the packaging cardboard boxes which I intended to use. This gave me an idea that whatever boxes would actually do well and would be easier to implement ‘realistically’ than using the packaging cardboard boxes, which I do not have, and difficult to place a fake ‘plastic sheet’ over the miniature which allows us to see through.

Technique Used

To create the miniature effect, I’ve taken photographs of mainly slightly (or very) top down view, as if we were looking down at the miniature objects. Than using photoshop, I’ve increased the vibrancy/saturation making the objects brightly coloured like those of the usual real miniatures. After which, I’ve lens blurred the subjects which are not in the portion which I want to focus on.

After choosing the miniature photographs, which I want to work on, I pick a theme or items that are suitable for the miniature to be placed on. I shot each of these photographs with the exact angle the miniature pictures were shot. Taking a few with slight difference, I’ve chosen the best fitting for each miniature picture. With the help of some blurring and blending tools in photoshop, I’ve placed each miniature to the picture. Finally adjusting colors and contrasts etc. for each of the photos on picture to make it seemed as if the picture is a single photograph.


Failed attempts

There were a number of miniature pictures that couldn’t be used for the series of photographs mainly because structures were cut off half way, or there are trees/other objects (which you only see one portion) near to the camera blocking the view. Because the ‘miniatures’ have to fit into a box, there are stricter rules to follow. Thank goodness I took enough photos, and many are still good for use.


Reflection

I’ve learnt that to complete a project effectively, you need to test, plan your work, and experimenting with what would work beforehand. I’ve also learnt that giving some space for improvisation, random shots and trying out new and different techniques on photography as well as photo editing could bring in pleasant surprises that could work better.

Hence it is a juggle between both, ensuring you are safe, yet not forgetting to explore further with the project you are doing for a great one.

Most importantly, never be narrow minded, and stuck onto one method of doing things but rather to enjoy what you are doing, be creative and have fun. This way, there will always be improvement and you’ll never be a sad person whilst rushing to complete your projects.


 
♥Chloé 1:14 AM, 0 comments